
HELP FOR ITS KIDS
October 20 & 21, 2007
Downtown Phoenix, Arizona
Jackson Street,
between 1st and 2nd Streets
Presented by the Phoenix Blues Society, Independent Events and Alice Cooper'sTown
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Saturday, October 20th artist
bios
Born and raised in Chicago, Kal’s recording career began as a teenager when, as a member of Kal David and the Exceptions, he was signed to a contract with King Records and later to Vee-Jay Records. Another member of the group was Peter Cetera, who later became the vocalist for a band known as Chicago. Later on, Kal joined musical forces with guitarist Paul Cotton to form the group, The Rovin’ Kind. This band recorded for Dunwich Records, and following a name change to Illinois Speed Press and a move to Los Angeles, Kal and Paul hit their stride, recording two critically acclaimed albums for Columbia Records, Illinois Speed Press and Duet. ISP was so loved that these albums have recently been re-released on CD by popular demand. Kal and Paul’s efforts with Illinois Speed Press served them well, for as Paul went on to become guitarist for Poco, Kal moved to Woodstock, New York, where he formed the Fabulous Rhinestones with ex-Electric Flag bassist Harvey Brooks. They recorded three well-received albums: Fabulous Rhinestones, Freewheelin’ for Paramount Records, and Rhinestones for 20th Century Records. With the Rhinestones, Kal refined his talents as a guitarist, vocalist, and songwriter to the point where even today, long after its disbanding, the group is remembered with fondness and respect for its musical contributions. Their albums have also been re-released on CD. In the 80’s Kal made his true commitment to the blues idiom as a guitarist and as a singer/songwriter. In the studio or on tour, his commitment was evident in his work as a featured guitarist for Etta James, Johnny Rivers and with John Mayall and the Bluesbreakers, where he inherited the lead guitar chair from Mick Taylor. Az a solo artist Kal recorded two albums for SoulCoast Records, Never a Dull Moment and Double Tuff. With chart topping, impressive record sales internationally and numerous television appearances, including a one-hour Kal David special in Germany, Kal’s reputation grew worldwide. A move to Palm Springs, CA in search of a more creative environment resulted in Blue Guitar, Kal and partner Lauri Bono’s premier Blues and Jazz nightclub, which they successfully ran and performed at for 8 years much to the delight of audiences from all over the world. Three CDs, Kal David Live at Blue Guitar…by request, Kal David Live at Blue Guitar…Last Call and Lauri Bono featuring Kal David Live at Blue Guitar…Last Call were recorded there. Blue Guitar was sold in 2004 to accommodate Kal’s upward spiraling career. Kal’s dedication to the proliferation of the music he loves has inspired him to pass along his knowledge and experience to the younger generations. He gives lectures and raises funds whenever possible to put instruments and music back in the schools. “Every child should have the right and access to music education. It is a proven fact that it helps in all other aspects of learning. Music defines our lives and lights the fire of passion.” In another teaching endeavor, Kal’s very popular Guitar Master Classes are fueling the fire for a lot of new and established guitar players. “It is incredibly wonderful and satisfying to share my years of learning and passion for what I do with a class and know that I have made a difference in their lives!” To fully experience Kal David’s tremendous talent, you must see him live. Kal’s soul baring voice along with his blazing guitar playing will provide you with an unparalled electrifying performance!
A recent Blues Music Award nominee for Traditional Blues Female Artist of the Year, Diunna Greenleaf, the leader of Blue Mercy, is a Houston, Texas native whose roosts are deeply steeped in Gospel Music. With influences including Koko Taylor, Aretha Franklin, Rosetta Thorpe, Sam Cooke, Charles Brown and her own parents, Ben & Mary Ella Greenleaf, Diunna combines intricate patches of jazz, gospel and heartfelt soul into her own style of Blues destined to take the listener on an emotional roller coaster ride. She’s worked hard to develop her own brand of “Diunna’s Blues” in the same tradition as so many other great Texas blues men and women. Joining Diunna on stage is Jonn Richardson, lead guitarist and an intrical part of Blues Mercy for the last six years. Winner of the 2005 Albert King Award at the International Blues Challenge for best guitarist, its Jonn’s guitar playing and Diunna’s vocals that bring the Blue Mercy sound to the forefront as a perfect example of true Texas Blues. Hardworking performers, Diunna & Blue Mercy have opened for and performed with the likes of Bob Margolin, Keb’ Mo, Willie “Pinetop” Perkins, Hubert Sumlin, Willie “Big Eyes” Smith, James Cotton, Carrie Bell, Big Bill Morganfield, Smoking Joe Kubek & B’Nois King, Anson Funderburgh, Sam Meyers & the Rockets, Bernard Allison, Odetta, Rod Piazza & the Might Flyers, I.J. Gosey, Sherman Robertson, Kenny Neal, the late great Teddy “Cry Cry” Reynolds and numerous other artists who have befriended this Texas band. Diunna and Blue Mercy have performed throughout the United States and Internationally, most recently at the Lugano Blues Festival and the Bern Jazz Festival, both in Switzerland. A busy touring schedule has them on the road performing in front of audiences throughout the United States as well as foreign festivals in Canada, England, Italy, France and the Virgin Islands. Most recently the band has been asked back to play the prestigious Lucerne Blues Festival in Switzerland for a return engagement.
“Otherworldly”, “scorching”, “polyrhythmic” and “chilling” have all been used to describe Eddie Turner’s guitar playing. His ethereal style is an amalgam of the Afro-Cuban rhythms of his heritage and the music that influenced him as a teenager: Chicago blues, jazz, r&b and psychedelic rock. The Cuban-born singer/guitarist cut his teeth in several rock bands contributing what Slate magazine describes as “spacey-yet-resounding solos. Eddie “Devilboy" Turner picked up his first guitar, a candy apple multi-pickup Japanese Teisco when he was twelve. Raised in Chicago, he moved to the Rockies in the early 70's to attend the University of Colorado; “a ruse,” he says, “to get my parents to keep sending checks.” More inspired by music than by academia, Turner immersed himself in the local scene, and stints with some notable acts ensued. He played in the region’s first punk/r&b band The Immortal Nightflames, then with Grammy nominees Tracy Nelson, Mother Earth, and the 4-nikators, a group that has become legendary for its unique mix of Soul, Motown, and rock. Turner got the chance to grab at the brass ring when Colorado compadre Tommy Bolin left his band Zephyr to form The James Gang and Deep Purple. He eagerly joined the hard rock, psychedelic, blues band as a guitarist, singer and songwriter. But, tragedy struck with the sudden death of Zephyr lead singer Candy Givens. Deeply shaken, Eddie decided to “grow up” by taking a hiatus from performing music to become a realtor in Denver. Yet, some people just refuse to “grow up”. A decade later, when Eddie was invited to join the Ron Miles electric band led by one of the country’s premier trumpeters, he jumped at the chance. Then, in 1995 he rounded out the Otis Taylor Band adding what Guitar Player magazine describes as “otherworldly atmospherics (that) lend a decidedly cosmic ambience to Taylor’s sound.” Enhancing the spice and flavor of the trio, Eddie recorded five groundbreaking albums with Taylor, and toured the U.S. and Europe extensively. Going solo didn’t go unnoticed. NorthernBlues Music, who had worked with Otis Taylor in his early career, snatched Turner up and released his first solo effort, Rise, in early 2005. Produced by Kenny Passarelli, who often tours with Turner, Rise showcases Eddie’s vocals and songwriting. Running the gamut from blistering guitar rock to gospel-tinged melodies, the 12-song disc dazzles with the chops and techniques Turner has developed over the course of his unusual, genre-melding career. Rise is evolutionary music – and quite grown up, indeed – so much so that it earned Turner a Blues Music Award “Best New Artist Debut:” nomination. In mid-2006 Turner returned with his sophomore release for NorthernBlues Music entitled The Turner Diaries. As he explains “This record is akin to the hard-edged blues of bands like Cream and Fleetwood Mac in the mid to late 60’s before they were polished into the rock genre trading raw blues content to flash and showmanship. Another comparison might be Muddy Waters unleashing his “Electric Mud’ record. This record is me, myI influences and my music without limitations or confinements.” The album recently received recognition as a finalist in the 6th annual Independent Music Awards and Denver Westword’s 2007 Best Blues Album.
While their rough and tumble “Roadhouse Quartet” is their mainstay, they can break down into a mostly acoustic country blues quartet with a very rootsy feel, or blister the stage with the addition of the powerhouse Groove Merchants Horn Section that turns them into a “Big City” Blues Octet. A festival favorite, BNGM have performed three times at the West Fest in Paso Robles California, three times at the Phoenix Blues Society's Blues Blast, and twice they performed at the Fender Catalina Island Blues Festival in California. They are the only performers to have been asked back for a repeat performance at that prestigious event. The Arizona Republic,
the state’s newspaper of record, named Big Nick and the Gila
Monsters as Arizona’s Best Blues Band, two years in a row, in 2004
and 2005. (They have since stopped the practice).
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